When finding inspiration for his carved panels, Adrian shifted his viewpoint. Instead of looking at landscape from a distance, he focussed on what is close by. By looking at small isolated stretches, the landscape can become abstracted and more like a still life. Throwing stones into a local pond progressed to using props, creating chalk drawings and making card models to photograph. These photographic recordings were scaled and mapped out onto wood panels that are then carved, experimenting with patterns and ambiguities in rippled water.