The three jugs were painted in Cyprus where the artist’s great friends from Edinburgh, John Guthrie and his wife Vivian Duncan had moved in the early fifties. The heavy earthenware vessels had not changed in design or character for millennia and their rich terracotta becomes the dominant colour in the composition, enlivened by a pair of oranges, no doubt picked from the garden. His work at this time is characterised by a very heavy impasto, a vigorous kind of action painting which recall Auerbach and Kossoff.