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Jo Pudelko

b.1975

Wing Loop Earrings (duck egg blue), 2022

Powder coated brass, Sterling silver findings
H:4cm W:5cm D:0.2cm
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Cyanocitta Necklace, 2022

Powder coated brass, Jesmonite, acrylic, steel chain
H:3.5cm W:7.5cm D:1cm
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Periphery Earrings, 2022

Powder coated steel, acrylics, Sterling silver findings
H:5.5cm W:4cm D:1.1cm
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Acute Periphery Earrings, 2022

Powder coated steel, acrylics, Sterling silver findings
H:5.5cm W:3cm D:1.5cm
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Pollen Trail Brooch, 2022

Powder coated brass, Jesmonite, steel pin
H:5.7cm W:6cm D:1.5cm
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Wing Loop Earrings, 2022

Powder coated brass, Sterling silver findings
H:4cm W:5cm D:0.2cm
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Omnium Gatherum Earrings, 2022

Powder coated brass, acrylic, Sterling silver findings
H:4cm W:4.5cm D:1.5cm
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Flight Path Brooch, 2022

Powder coated brass, Jesmonite, steel pin
H:6cm W:6cm D:3.5cm
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Curved Periphery, Periphery, Cloud Periphery and Acute Periphery Earrings, 2022

Powder coated steel, acrylics, Sterling silver findings
H:5.5cm W:3-4cm
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Slice Brooch II, 2022

Powder coated steel, Jesmonite, acrylic, steel pin
H:8cm W:5cm D:1.5cm
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Slice Brooch I, 2022

Powder coated steel, Jesmonite, acrylic, steel pin
H:8cm W:5cm D:1.5cm
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Stratus Stack Earrings, 2022

Acrylic, Sterling silver findings
H:6cm W:0.8cm D:0.9cm
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Garden Brooch, 2022

Jesmonite, powder coated brass, steel pin
H:6cm W:6cm D:0.2cm
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Jo Pudelko

Photography by Julie Howden
Born: 1975
Place of Birth: Calgary, Canada

Jo Pudelko graduated from Edinburgh College of Art in 2006. Following a post-graduate qualification in 2007 she spent a year as Artist-in-Residence before establishing her own studio in Edinburgh. Currently she works from her studio space in Dunblane where she has established a multi-disciplinary centre for craft education.

Jo’s work consists of mixed-media jewellery and small-scale sculptural objects. She specialises in casting techniques and often utilises found objects in her practice. Her jewellery has been exhibited in the UK, Europe, America, and China.

“My work explores a continued fascination of how we interact with the environment around us – particularly examining the space where the natural world and the manmade world collide. Casting from household objects I try to highlight connections between our more intimate concept of ‘home’ and the greater responsibility to the planet we live on. My recent work is predominately inspired by the worldwide plight of the bee population. I have been particularly interested in the complex juxtaposition between bees as a part of nature (their history, evolution and biology) and bees as a commodity in our global agricultural economy.”


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