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Michael McVeigh

b.1957

Cats, 2023

oil on canvas
H:68cm W:86cm
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Trains at Waverly

oil on board
H:33cm W:45cm
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Owls at Night, 2023

oil on stencil paper
H:60cm W:60cm
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Thornbird Blue, 2023

oil on canvas
H:26cm W:46cm
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Princes Street Gardens, Autumn, 2023

oil on canvas
H:60cm W:73cm
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Thornbirds Yellow, 2023

oil on canvas
H:60cm W:60cm
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Thornbirds Red, 2023

oil on canvas
H:63cm W:79cm
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Bute House, Charlotte Square, 2023

oil on canvas
H:61cm W:76cm
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Pogues, A Pair of Browneyes

ink
H:20.5cm W:27cm
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Pogues, A Pair of Browneyes

transfer drawing and ink
H:19.5cm W:26cm
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Johnston Terrace Winter, 2020

oil and pencil on stencil paper
H:31.5cm W:23cm
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Harbour, 2020

oil and pencil on stencil paper
H:21cm W:26cm
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The Milk Cart, 2020

oil on canvas
H:57cm W:74cm
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Glasgow University, 2017

oil on copper
H:15.7cm W:11cm
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In the First Taxi, 2018

mixed media on stencil paper
H:27cm W:37cm
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Johnston Terrace Evening, 2020

oil and pencil on stencil paper
H:36cm W:49.8cm
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Michael McVeigh

Photography by Stephen Dunn
Born: 1957
Place of Birth: Dundee

Michael McVeigh was born in 1957 in the post-war council estate of Lochee, Dundee located on the north west of the city, one of five children. He left school with no formal qualifications; however he wanted to be an artist and so began, unannounced, going to classes at Duncan of Jordanstone College of Art & Design, his presence being challenged eventually. James Morrison, then one of the lecturers, formalised his position and accepted him as a full-time student based only on his outstanding drawings and painting.

Since moving to Edinburgh in 1982 McVeigh became a familiar figure seen regularly working in the city and until a few years ago as a street artist. Life as a street artist brought a certain amount of unwanted celebrity status, especially in recent years, becoming a cult figure sought out by the city’s stag and hen parties, eventually having to limit tourists to ‘one photo only’.

Michael McVeigh is a modern day folk artist who depicts the world around him. He is a participant observer who has created a naïve and sophisticated setting for contemporary life and history. There is something of the medieval chronicler about him; he draws and paints what is there, and what is worth depicting because it is an essential, occasionally quirky, part of human existence.

His works are held in both public and private collections including town halls, pubs, fishmongers and a number of municipal and national institutions.

 

 


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