A catalogue to accompany Derrick Guild’s festival exhibition Ever After.
In Ever After he has looked at the most traditional of Joshua Reynold’s orders: portraiture and forced us to interrogate how we look and so what we learn. He takes the miniature, the small oval format, and provides a detail, not a face – against all expectations and in an installation of many of these miniature details our mind tries to reconstruct a whole. He has copied portraits by some of history’s most painterly artists: Velásquez, Raeburn and Lely, but as grids of labels, each bearing a detail, or single labels with a partial of the whole: art imitating art concealing art. But he does not deny his own instinct towards beauty and each work has satisfied the need: delicacy, balance and harmony achieved at an exquisite pitch in each work, however disembodied.