Hogmanay, c.1985

As a painter, James Cumming was possessed of a singular and highly personal vision. Several phases of interest took place in his work, Still Life, Portraits, Space Age, Puppets, Circus and the Electron Microscope brought forth another series of works concerning the visual nature of living cells. The hand of the draughtsman is always very much in evidence, an assured line in absolute control of the formal arrangement.