Close
The world was robbed of an outstanding artist at the height of her achievement. In this new book about Eardley, Christopher Andreae provides a fresh assessment of her work and its relative Scottishness or universality. He relates her art to the work of contemporaries such as Josef Herman, to inspired teachers such as Hugh Adam Crawford, and considers the impact of Renaissance art, of 20th-century European expressionism and modern American art. The author also looks at her relationships, quotes from letters previously embargoed, and discusses published and unpublished assessments of her work both during her life and posthumously.
Copies of this publication are limited to one per person due to low stock. These are our last available copies, and it has been confirmed that the book will not be reprinted.
There is an enduring fascination for Joan Eardley far beyond her unconventional life and early death at the age of forty-two. Born in 1921 in Sussex, Joan Eardley’s family moved to Scotland in 1939 and a year later she joined the Glasgow School of Art. She found subjects in the shipyards of Clydebank and the slums of Townhead, at first the run-down tenements and buildings and later the children and streetlife around Rottenrow where the character of the people and the place became the vital subject of her work. Her art education was finished with scholarship visits to Paris and the cities of Renaissance Italy and back in Scotland she ventured with her art school friends to Arran and back to the south of France. By the fifties, Joan Eardley divided her life between her studio in Townhead and the fishing village of Catterline, a place she had discovered in the North East of Scotland. Eardley felt at ease in these two contrasting localities and over the succeeding decade, as if by accident, she created an epic vision of the world from no more than two streets and one small fishing hamlet. The slums of Townhead are no more, the harsh realities memorialised by the honesty of her vision, the spirit of the people invested in its children captured, enduring like no other example in the history of art. Catterline remains unchanged and the village is inevitably a place of pilgrimage for the thousands who admire the artist’s deep-felt engagement with nature on the Kincardineshire coast. The Scottish Gallery held its first Joan Eardley exhibition in 1955 and later her memorial in 1964.
The Scottish Gallery exhibitions:
1955 (Festival), 1958 (Festival), 1961, 1964 (Festival and Memorial), 1981, 1983, 1984, 1988, 1990, 1992, 1996, 2007, 2013, 2015, 2017, 2021 (Centenary)
Struggling to find that perfect gift? We have the solution! A Scottish Gallery Gift Voucher is the perfect gift for friends, family, customers and colleagues.
Own Art is a national initiative that makes buying contemporary art and craft affordable by providing interest-free credit for the purchase of original work.