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This body of work seeks to question the viewers understandings of materiality and ways of seeing. Although forged from iron, there are mannerisms in the works that aren’t specific that material. The familiar archetypal form embodies a likeness to ceramics. Due to personal insights, innovative techniques, and experimentation knowledge, Freyne uses craft as a tool to achieve this ‘illusion’.
Formally trained as a blacksmith, Freyne’s work is a modern representation of a timeless craft; a homage to the foundations of blacksmithing, yet a distinct breakaway from the romanticised notions of what a smith is and is not. Presenting a deceptive reimagination of iron work, Daniel pushes the boundaries of what is though possible with his chosen material.
Based in Edinburgh, Freyne embarked on a blacksmithing journey over twelve years ago. Following a rigorous five-year apprenticeship, spanning six European countries, Freyne collaborated with world renowned blacksmiths before completing a bachelor’s degree and master’s degree in fine art from Gothenburg University, Sweden.
In early 2025, Small Vessel by Daniel Freyne was acquired into the permanent collection of the Victoria and Albert Museum, London.
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