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Angie Lewin brings her own vision of the natural world to her work. She sees the beauty in all seasons and all manifestations of plants: the ordered pattern of the blooms, the thrusting energy of the emerging buds, the prolific seedheads and the varieties of shapes, colours and habits to be found in meadow and border.
Angie Lewin was born in Cheshire and studied Fine Art Printmaking at Central St. Martins College of Art and Design before completing a postgraduate degree in printmaking at Camberwell School of Arts and Crafts. After working in London as an illustrator she studied Horticulture and then subsequently moved to Norfolk, which prompted a return to printmaking. Angie now lives and works in Speyside, Scotland.
In recent years, her practice has centred around watercolour and she was awarded RWS in 2016. Inspired by both the clifftops and saltmarshes of the North Norfolk coast and the Scottish Highlands, she depicts these contrasting environments and their native flora in wood engraving, linocut, silkscreen, lithograph and collage. Her still life practice often incorporate seedpods, grasses, flints and dried seaweed collected on walking and sketching trips.
In 2010 Merrell published a monograph, Angie Lewin – Plants and Places. As well as designing fabrics and stationery for St Jude’s, which Angie runs with her husband Simon, she has completed commissions for Penguin, Faber, Conran Octopus, Merrell and Picador and has also designed fabrics for Liberty. In 2006 Angie was elected to The Royal Society of Painter Printmakers and in 2008 to The Society of Wood Engravers. In 2010 she was elected to The Art Workers Guild and in 2016 she was elected to The Royal Watercolour Society.
Public Collections include:
V&A London; The Ashmolean Museum, Oxford; The London Institute; The University of Aberystwyth; Art for Hospitals and Hospices Collection
To view prints by Angie Lewin please click here
Marking this significant year in her career, Dovecot Studios have worked with Victoria Crowe to create a new tapestry inspired by a detail from her painting, Twilight, Venice, 2014. Like many of Victoria’s Venetian paintings, Twilight Venice features rich colours of a jewellike quality that reflect the intangible preciousness of the city. Engaging with the textural complexity of the painting, Dovecot Master Weavers David Cochrane and Naomi Robertson, and Dovecot weaver Rudi Richardson are creating a sumptuous interpretation of the work that captures the tones and shades of twilight in a new way.
We have created a visual blog to give further information and insight into this wonderful new work.
Dovecot have a long-standing relationship with Crowe, which begun in 2007 with the tapestry Two Views commissioned by the Duke of Buccleuch. Dovecot weavers and the artist have worked on significant projects including an iconic 40-metre tapestry for The Leathersellers’ Company, London, and Large Tree Group, which was woven entirely with undyed wool.
Please contact The Gallery for further information:
The Scottish Gallery | 0131 558 1200 | [email protected]
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