framed dimensions: 100 x 125 cm
Signed lower centre
EXHIBITED:
Annual Exhibition, Royal Scottish Academy, Edinburgh, 1953, cat. 280
Prior to becoming Warden of Hospitalfield (1948-1954), Fleming and his friend and contemporary William Wilson periodically travelled throughout Scotland to paint the landscape, but it was not until Fleming’s time in Arbroath that he began to paint the coastline in earnest, developing a particular fascination with the harbour. The more time Fleming spent observing the visual environment of Arbroath and engaging with its community, the more he found to explore through his artwork. Details of the buildings are then reduced to increase the emphasis upon their underlying geometric structures. The sense of depth is also challenged, as the extreme tilting of the pier in the foreground contradicts the perspective established in the mid-ground. In addition, the lifebelt and stand, which span the height of the images further emphasise the surface and two-dimensionality of the image. This sense of two-dimensionality reduces the harbour buildings, the harbour wall, and the life-preservers to geometric patches of paint. These paintings are representative of Fleming’s process of continuously reinterpreting the landscape through form and composition, a practice which would continue to develop during and following his time at Hospitalfield.
Edited extract from Peggy Beardmore, Students of Hospitalfield | Education and Inspiration in 20th-Century Scottish Art, Sansom & Co., 2018