This small watercolour is a compositional study for the major triptych of the same name, now in the collection of the National Galleries of Scotland. The triptych contains a figure being consumed in flames on one panel, alongside the rich blues of a gothic rose window in another. Despite the small scale, it competes equally in intensity, with jewel like colour combined with energetic black line. The Burning III is a powerful expression of Philipson’s emotional state in the early 1960s, following the premature death of his first wife Brenda Mark in 1960.