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With great depth and perception, the author considers the work of one of Scotland’s leading painters from her earliest days at Kingston School of Art, through to her most recent commissions, setting it in the wider context of artistic thought. Her full range of work is covered, including still lifes, portraits, self-portraits, landscapes and interiors. The insightful writing, accompanied by lavish illustrations of Victoria Crowe’s work, gives readers access to the paintings as they relate to the different eras of her life. The artist’s studies at the Royal College of Art, her move to Scotland, the ‘Kittleyknowe years’ and ‘A Shepherd’s Life’ exhibition are all discussed, as are ‘Plant Memory’ (a series resulting from her visiting scholarship at St Catharine’s College, Cambridge) and the impact of her travels abroad, particularly her time in Italy. In the latter part of the book, the focus moves to the artist’s most recent work, including a reflective series of Venetian pictures and a significant group of luminous winter landscapes. We also learn about a unique commission for a series of paintings specifically designed for a Scottish house, and a current project with Dovecot Studios for a tapestry based on a painting from ‘A Shepherd’s Life’, thus a testament to the enduring quality of her work.
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