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framed dimensions: 39 x 60.5 cm
I’ve set up my easel on the shore next to the little bothy and have started a few big paintings. I didn’t really want to paint the sea but it’s so exhilarating to be outside and hear it and smell it. And just to loosen up – I’ve been painting in my studio for so long I needed something unusual to happen.
Lilian Neilson, Catterline, 1.12.90 (extract from a letter to her friend and artist Sherry Palmer)
Born in Kirkcaldy, Lilian Neilson studied at Duncan of Jordanstone College of Art, Dundee from 1955 to 1960, followed by a brief period at Hospitalfield House in Arbroath, where she became friends with Joan Eardley. She completed a post-diploma year tutored by Hugh Crawford and Alberto Morrocco in 1960-61 and was awarded a travelling scholarship to France and Italy in 1961-62. Following this time in Europe, she joined Joan Eardley in Catterline where Neilson responded to the dramatic northeast coastline and began painting powerful landscapes and seascapes. The artist also worked backstage with Reet Guenigault in theatres including the Traverse in Edinburgh, but she returned to Catterline to help nurse Joan Eardley when her illness was diagnosed in 1962. Neilson bought one of the tiny fishing cottages, No 2 South Side, Catterline, with her home on one side and studio on the other. Like Eardley, she lived a frugal life. She moved permanently to Catterline in 1986 where Neilson undertook monthly surveys of the coastline and local beaches and began studying printmaking in Dundee. Her final exhibition, Certain Days and Other Seasons, was held at the Seagate in Dundee and Aberdeen Museum & Art Gallery.
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