In Time and Silently

6 January 2018 - 3 February 2018

Still Water, 2017

oil on canvas
H:92cm W:122cm
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Still Water at Dusk

oil on canson figueras paper
H:14.6cm W:21cm
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Tidal Drawing, Silverknowes, 2017

oil on canson figueras paper
H:26cm W:34cm
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Tidal Swell, Firth of Forth, 2017

oil on linen
H:100cm W:81cm
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Into the Void, 2016

oil on canvas
H:92cm W:122cm
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Climber (Study), 2017

oil on board
H:10cm W:12cm
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Storm Clouds over Stanley, 2016

oil on canvas
H:61cm W:92cm
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Morning of the Autumn Equinox, 2016

oil on canvas
H:61cm W:92cm
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Overhanging Branches, 2016, 2016

Oil on canvas
H:25cm W:31cm
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Leaves in a Pool, 2016

oil on linen
H:25cm W:35cm
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Winterwood, 2014

oil on board
H:15cm W:20cm
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Strawberry Fields, Alyth, 2017

oil on canson figueras paper
H:26cm W:34cm
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Nightfall over the Carse of Gowrie, 2017

oil on Fabriano Pittura oil painting paper
H:23cm W:33cm
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The North Sea, 2016

oil on canvas
H:60cm W:70cm
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Born: 1959
Place of Birth: Glasgow

A graduate of Duncan of Jordanstone College of Art and Design, Philip Braham first came to prominence in the 1980s with the rise of figurative painting in Scotland, which culminated in The Vigorous Imagination, an exhibition at the Scottish National Gallery of Modern Art in 1987. His career includes 27 solo exhibitions to date; in addition to numerous group shows both nationally and internationally. Among the awards received are the prestigious Royal Scottish Academy Guthrie Award for painting and the Royal Scottish Academy Morton Award for lens-based work. Recent exhibitions include solo shows at Perth Museum and Art Gallery, The Scottish Gallery and at the Royal Scottish Academy. A longstanding interest in continental aesthetics informs his pedagogical role as Senior Lecturer in Contemporary Art Practice at the University of Dundee. He was elected to the Royal Scottish Academy in 2021.

Braham’s paintings are informed by the Northern European engagement with landscape as a metaphor for the human condition. Recent projects reflect on the temporal nature of our existence through personal recollection and collective history, set within the slowly evolving landscape that bears us forward. Fidelity to experience is fundamental to his practice, and this brings a poetic grace to his technical mastery of oil painting.


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