On The Surface

24 July 2019 - 25 August 2019

Primavera Brooch, 2018

18ct gold and vitreous enamel
H:4.3cm W:5.6cm D:1.8cm
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Two-Tone Reef Sea Star Earrings, 2019

18ct yellow gold, vitreous enamel
H:1cm W:2cm
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Oak Leaf Cluster Earrings, 2017

18ct gold
H:2.2cm W:2cm D:1cm
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Ocean Double Clam Earrings, 2015

18ct gold and vitreous enamel
H:2.8cm W:1.8cm D:1.8cm
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Lamellae Earrings, 2017

18ct gold
H:2.4cm W:1.4cm D:0.3cm
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Beech Nut Earrings, 2015

18ct gold and vitreous enamel
H:2.5cm W:2.3cm D:1.1cm
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Ocean Twin Clam Earrings, 2016

18ct gold and vitreous enamel
H:2cm W:1.1cm D:1cm
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Blue Molllusc Earrings, 2018

18ct gold and vitreous enamel
H:2.4cm W:1.4cm D:0.9cm
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Ocean Seahorse Earrings, 2017

18ct gold
H:2.6cm W:1.5cm D:0.6cm
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Small Snail Earrings, 2018

18ct gold
H:1.6cm W:0.7cm D:0.6cm
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Seed Earrings, 2010

18ct gold and seed pearls
H:4cm W:1.6cm D:0.8cm
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Ocean Clam Drop Earrings, 2008

18ct gold and vitreous enamel
H:6.8cm W:1.8cm
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Reef Star Earrings, 2019

18ct gold and vitreous enamel
H:1.1cm W:2cm D:0.4cm
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5 Step Earrings, 2019

18ct gold
H:2.5cm W:0.7cm D:0.5cm
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Born: 1966
Place of Birth: London

Jacqueline Ryan spent time at the Fachhochschule in Dusseldorf and after graduating from the Royal College of Art, London in 1991, she moved to Padua, Italy and shared a workshop with Giovanni Corvaja. Jacqueline works exclusively in gold and precious materials to create organic forms characterised by intricate arrangements of repeated elements, bringing to the field a unique voice grounded in the Italian tradition of architecture and design. Jacqueline now has her own workshop in Todi, Italy.

‘Most of my pieces are preceded by studies derived from living organisms, marine plants, flowers, or seeds and other found objects with the occasional aid of macrophotography that capture some of the finer-scale qualities more difficult to perceive with the naked eye. Repetition, naturally occurring in nature, is a recurrent theme that runs through much of my work as well as movement in which the composite shapes and forms from which my work is constructed move and sway with the body and sometimes jingle and rattle – quietly giving the work a pleasant tactile dimension and interacting with the wearer so that the piece may be animated and alive. I feel that my work has completed its cycle when it has found its wearer.’ – Jacqueline Ryan

Public Collections include:

Aberdeen Art Gallery & Museums, Aberdeen; National Museums Scotland, Edinburgh; The Worshipful Company of Goldsmiths, London; Victoria & Albert Museum, London; Musée des Arts Décoratifs, Paris, France; Museum für Künst und Gewerbe,Hamburg, Germany; Museo degli Argenti, Florence, Italy; and The Metropolitan Museum of Art, New York, USA.

View and purchase a copy of On The Surface here. This is the publication that accompanied Jacqueline’s solo exhibition in August 2019.


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