Sky Sea Land

29 November 2019 - 23 December 2019

We are delighted to present Jonathan Christie’s first solo exhibition with The Scottish Gallery, Sky Sea Land. We first met Christie when he exhibited with St Jude’s as part of our 175th anniversary celebrations in 2017. His was a distinct, compelling phrase in the rich orchestration of the group.

Christie’s paintings are all inspired by real places and objects, but in the memory, reimagined, conflated, obscured and elucidated. His technique is the clear handmaid to the evocation of what he himself describes as, “a personal Genius Loci, that asks us to contemplate and look beneath the surface.”

Deploying watercolour, graphite and sgraffito on a gesso board, he will incise, distress, glaze and wash, but always guided by the powerful impulse of drawing. In this way the paintings emerge from change and development, traces of their genesis apparent at completion.

A ceramic dog is reanimated by the poetic congruity of its appearance in front of the Southwold lighthouse; Orion’s shape is traced onto a moonlit compotier of lemons; a marbled cup lends its pattern to a winding coastal path. These are the charms of Christie’s vision, at once incisive and delicate, the working of imagination on memory.

Born: 1969
Place of Birth: London

‘For these four Ghost Ship paintings, I had in the back of my mind a sentence that the mariner and naïve painter Alfred Wallis put in a letter to his patron Jim Ede in 1935: ‘What i do mosley is What use To Bee out of my own memery what We may never see again as Thing are altered all To gether Ther is nothin what Ever do not look like what it was sence i Can Rember…’ Jonathan Christie

 

Jonathan Christie (b.1969) grew up in South-West London before completing his Foundation at Kingston and his Degree at Maidstone. Jonathan lives in East Sussex and has exhibited his paintings and drawings throughout the United Kingdom.  Jonathan Christie’s paintings are inspired by real places and objects, but in the memory, reimagined, conflated, obscured and elucidated. Deploying watercolour, graphite and sgraffito on a gesso board, he will incise, distress, glaze and wash, but always guided by the powerful impulse of drawing. In this way the paintings emerge from change and development, traces of their genesis apparent at completion.

 

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