Under The Cherry Tree

27 February 2019 - 30 March 2019

Akiko Hirai presents a new body of work including her signature Moon Jars featuring cherry tree wood ash and landscape inclusions. We are delighted to announce that Akiko has been shortlisted for the LOEWE craft prize 2019.

“The work I have created for Under The Cherry Tree was inspired by my memories of Spring in Japan. At home we celebrate the blossoming cherry trees as the pale pink petals float in the air. This period also heralds school graduation and farewells. I used to love this seasonal feeling of melancholy. Winter cherry trees in London are a lot smaller than the Japanese Somei-Yoshino. One night as I returned home from my London studio, I saw the winter cherry trees blossoming under the street light and behind it was the round, white moon. This inspired me to create a cherry tree ash glaze in a beautiful, light peppermint green.” – Akiko Hirai, 2019

Born: 1970
Place of Birth: Shizuoka, Japan

Akiko Hirai was born in Japan in 1970. She moved to London in 1999, studying ceramics at the University of Westminster and Central St. Martins. Akiko’s work is both a blend of Japanese and British studio pottery traditions resulting in asymmetrical, ‘imperfect’ organic forms.

‘My preference of choosing types of clay when making white ware is the dark and coarse clay most of the time. The whiteness acts as a membrane or a veil. The hints of the true nature of the material appear slightly on the surface. Dark clay which consists of many impurities induces strong chemical changes in heat and the trace of events remains under the veil when it cools down. White, on the other hand, is more stable because of its purity. It is already settled and has a feeling of stillness. Superficially my work appears to be quiet in white. It does not show the rawness of Mother Nature directly. A symbolic figure always looks more perfect than the actual person he/she is. Imagination and fantasy always reinforce the imperfection and achieve the perfection with its own originality. Therefore the completion of my work is done by the viewers. My work is a creation on its own.’ – Akiko Hirai

2002-2003 Central Saint Martins, School of Graphics and Industrial Design, London
2000- 2002 University of Westminster Harrow (transferred to St. Martins)
1989-1993 Aichi Gakuin University, Japan

Public Collections include:
Hepworth Wakefield Collection; Everson Museum, Syracuse, New York, USA; Victoria and Albert Museum, London; National Museum of Ireland; The Fitzwilliam Museum, Cambridge; Keramikmuseum Westerwald (Westerwald Ceramic Museum), Germany

Hirai was shortlisted for the LOEWE craft prize 2019.

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