Anne Redpath’s later work tends to be more expressive, with broader handling and increased use of impasto. Often, the paint is applied using a palette knife rather than a brush. Instead of placing still life arrangements on a tabletop, for example, as she did earlier in her career, the single motif can be presented (as in this case) within a broadly-applied and fairly uniform painted surround. She feels no obligation to contrive pictorial space or perspective and, thus, the viewer is focused entirely on the chosen motif- here, a favourite painted jug and mixed blooms, rendered in pleasingly gentle ‘boudoir’ colours. The composition is purely chosen and intended as a decorative whole, for its own sake.