Kate Downie is an artist whose residencies and adventurous spirit have taken her all over the world. This large oil of the Nanjing Yangtze River Bridge is the result of study and experimentation in the Chinese ink painting tradition. The contrast of the urban and the rural is a theme which runs throughout her work. Here, the structural complexity of a remarkable feat of engineering is conveyed with restraint of gesture and without over-complication, while passing cargo boats and traditional bamboo net-fishing structures on the bank are painted with single-motion calligraphic lines. She paints the fog over the further aspect of the bridge, pulling it coherently into the horizon line, to convey the significant distance of the river with a calm, atmospheric quality.
Kate Downie was born in North Carolina but raised from the age of 7 in Scotland. She studied at Gray’s School of Art in Aberdeen before travel and residencies took her to the United States, England, Amsterdam, Paris and Japan. Her constant search for new challenges and inspirations has seen her set up studios in such diverse places as a brewery, an oil rig, and an abandoned Hydroponicum.
As a Landscape painter her subject matter is often the man-made rather than the natural, but it is defined by good draughtsmanship and a sense of movement.
‘One of my creative concerns is to define these spaces between buildings rather than the buildings themselves. The object lesson for me is the witnessing and the drawing of these nonplaces which are also, by definition, public arenas of cumulative activity. My job as an artist is to accommodate these actions in our contemporary lives, and to find the poetry within.’
– Kate Downie