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Michael McVeigh

b.1957

Blossom, Princes St Gardens, 2023

oil on board
H:33cm W:45cm
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Looking to the Castle, Winter, 2016

oil on board
H:70cm W:100cm
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Snow on the Canongate, 2013

oil on canvas
H:31cm W:46cm
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Eyemouth, 2014

ink on stencil paper
H:28cm W:34cm
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Pittenweem

gouache and pencil
H:32cm W:52cm
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From Calton Hill, 2020

oil on canvas
H:59.5cm W:72.5cm
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Harbour Memories, 2020

oil on canvas
H:63.5cm W:86cm
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Johnston Terrace, 2017

oil on copper
H:15.7cm W:11cm
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Entrance to the Secret Garden, 2020

oil on canvas
H:59.5cm W:72.5cm
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The Hole at St James, 2020

mixed media on stencil paper
H:46cm W:61cm
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Pink Blossom, Princes Street, 2018

oil on board
H:42.5cm W:60.5cm
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Leith Walk from Calton Hill, 2018

oil on stencil paper
H:27cm W:42cm
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Fife Fishing Villages, 2018

oil on stencil paper
H:40.5cm W:50cm
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St. Marys, 2018

oil on canvas
H:61cm W:50cm
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Near Easter Road, 2018

oil on canvas
H:50cm W:69.5cm
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Edinburgh Castle from The Caledonian, 2018

oil on paper
H:52.5cm W:66cm
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The Horse Chestnut Tree, London Road, 2017, 2017

pencil and crayon on paper
H:52cm W:66.5cm
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The Canongate, 2017

oil on canvas, laid on board
H:60cm W:73cm
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Edinburgh Trees, 2017

mixed media
H:17.5cm W:17.5cm
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Airdrie Market, c.1990

etching, Artist's proof
H:32.5cm W:49cm
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Seal

oil on copper
H:7.5cm W:7.5cm
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Boat, 2019

oil on copper
H:7.5cm W:7.5cm
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Harbour, 2019

oil on copper
H:7.5cm W:7.5cm
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Michael McVeigh

Photography by Stephen Dunn
Born: 1957
Place of Birth: Dundee

Michael McVeigh was born in 1957 in the post-war council estate of Lochee, Dundee located on the north west of the city, one of five children. He left school with no formal qualifications; however he wanted to be an artist and so began, unannounced, going to classes at Duncan of Jordanstone College of Art & Design, his presence being challenged eventually. James Morrison, then one of the lecturers, formalised his position and accepted him as a full-time student based only on his outstanding drawings and painting.

Since moving to Edinburgh in 1982 McVeigh became a familiar figure seen regularly working in the city and until a few years ago as a street artist. Life as a street artist brought a certain amount of unwanted celebrity status, especially in recent years, becoming a cult figure sought out by the city’s stag and hen parties, eventually having to limit tourists to ‘one photo only’.

Michael McVeigh is a modern day folk artist who depicts the world around him. He is a participant observer who has created a naïve and sophisticated setting for contemporary life and history. There is something of the medieval chronicler about him; he draws and paints what is there, and what is worth depicting because it is an essential, occasionally quirky, part of human existence.

His works are held in both public and private collections including town halls, pubs, fishmongers and a number of municipal and national institutions.

 

 


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