The Impartial Observer features both new work and archive pieces from the one and only Paul Preston, a.k.a The Red Mole, and this September we continue the Paul Preston odyssey with new, captivating work from the artist. His combination of fine workmanship and imaginative ideas make him one of the most distinctive contemporary British jewellers today.
Now in his 81st year, The Scottish Gallery celebrates his life and work over a two-month period. It has been a privilege to have worked with Paul Preston over decades and his work has provided the wearer and the viewer a great deal of pleasure. A large proportion of Paul’s work is based on themes from nature, especially birds and fish. This natural world in metal often has a strong element of fantasy influenced by cartoons and story books, as well as a whimsical, poetic quality.
Born in Leeds, Paul Preston, a.k.a The Red Mole, originally practised architecture before becoming a self-taught jeweller. The Red Mole also has an alter ego of St Francis of Assisi, who was associated with animals and the environment.
Paul practised architecture for just two years before retiring to dive the waters round Lands’ End for crawfish and the recovery of non-ferrous metals from wrecks. Much of the imagery in his work reflects his life experience, as well as his home and studio in rural West Wales. His interest in jewellery began after seeing the jewellery of artist and sculptor Breon O’Casey. His work is held in numerous public and private collections including the Victoria & Albert Museum, London.
Archive works
The Impartial Observer also reveals many works from Preston’s personal collection. These can only be seen in The Gallery, but here is a glimpse of what we have to view in person…
