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Artists / Anne Redpath
  • David Michie
  • Anne Redpath

David Michie, Yellow Tulips in Quimper Jug & Anne Redpath, Flowers in a Jug on display, March 2023, 1954 & 1964

Both oil on canvas
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Photography by: Ian Georgeson
David Michie, Yellow Tulips in Quimper Jug & Anne Redpath, Flowers in a Jug on display, March 2023.

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    David Michie

    Born: 1928
    Place of Birth: Saint-Raphaël, France
    Died: 2015

    Born in Saint-Raphaël, France, the son of painter Anne Redpath, David Michie (1928-2015) graduated from Edinburgh College of Art in 1953 following a travelling scholarship to Italy with fellow student John Houston. He lectured at Gray’s in Aberdeen and from 1961–1982 at Edinburgh from where he retired in 1990 as Head of School of Drawing and Painting. He died in Edinburgh in 2015 and The Scottish Gallery held his Memorial Exhibition in March 2017, celebrating the life and work of one of Scotland’s most enduring image-makers. We continue to work with the Michie estate hosting David Michie Studio Insights in February 2021, and The Early Years in March 2023.

    Anne Redpath

    Born: 1895
    Died: 1965

    Anne Redpath was a pivotal figure in the group of painters now referred to as The Edinburgh School. She had attended the College of Art, receiving her diploma in 1917. After a lengthy spell in the south of France, Redpath returned to Hawick in the mid-1930s. Her brilliant manipulation of paint, left in delicious peaks or eked across a rough surface with a palette knife, is characteristic of the varied responses to different subjects at different times. In the last years of her output she often favoured a limited palette; perhaps a few brilliant, jewel-like notes enlivening a dark or white composition.

    Redpath was an inspirational person and formed many enduring friendships. Her flat in London Street became an artistic salon, celebrated by Sir Robin Philipson’s famous, affectionate group portrait in The Scottish National Portrait Gallery. She had considerable commercial success in her lifetime, enjoying a fruitful, consistent relationship with The Scottish Gallery and then with Reid & Lefevre in London. Since her passing, her reputation has been further enhanced with retrospective and centenary exhibitions resulting in her being established as one of the great figures in 20th Century Scottish Painting.

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