signed lower right
EXHIBITED
Anne Redpath Exhibition, The Scottish Gallery, Edinburgh, 1965, cat. 43; The Scottish Gallery & Ewan Mundy Fine Art Ltd, Duke Street, London, 2018
Anne Redpath’s later work tends to be more expressive, with broader handling and increased use of impasto. Often, the paint is applied using a palette knife rather than a brush. Instead of placing still life arrangements on a tabletop, for example, as she did earlier in her career, the single motif can be presented (as in this case) within a broadly-applied and fairly uniform painted surround. She feels no obligation to contrive pictorial space or perspective and, thus, the viewer is focused entirely on the chosen motif- here, a favourite painted jug and mixed blooms, rendered in pleasingly gentle ‘boudoir’ colours. The composition is purely chosen and intended as a decorative whole, for its own sake.