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Infantas, Icons, Kings, and Bishops on horseback feature in another strong but narratively enigmatic series of works from this period. While undoubtedly based in part on his own experiences of religious processions and services and works seen in the churches he visited whilst in Spain, Florence and Sicily, church interiors also feature in the work of Anne Redpath (David and Joyce McClure were very close to Anne). Regal and religious figures also appear in some of Robin Philipson’s Roualt inspired work from the later 1950s. Robin McClure, 2014
McClure was one of a group of highly regarded young painters that included James Cumming, William Baillie, John Houston, Elizabeth Blackadder and David Michie all of whom graduated from Edinburgh College of Art in the early 1950s. Their formative years benefited from the examples of a remarkable concentration of talent in the capital, both on the Art College staff and in the annual exhibitions of the RSA, RSW, SSA or SSWA. In addition, The Scottish Gallery was regularly showing established artists such as Anne Redpath, William Gillies, William MacTaggart, as well as younger artists like Joan Eardley and Robin Philipson. McClure and many of his Edinburgh College peers soon joined them. McClure had his first one-man show with The Scottish Gallery in 1957 and the following decade saw regular exhibitions of his work.
He was included in the important surveys of contemporary Scottish art which began to define the Edinburgh School throughout the 1960s and culminated in his Edinburgh Festival show at The Gallery in 1969. But he was, even by 1957 (after a year’s painting in Florence and Sicily) at Duncan of Jordanstone College of Art in Dundee, alongside his great friend Alberto Morrocco, applying the rigour and inspiration that made the college such a bastion of painting.
The Scottish Gallery exhibitions: 1957, 1962, 1966, 1969 (Festival), 1989, 1992, 1994, 1996 (70th Birthday Exhibition), 2000 (Memorial), 2003, 2010, 2014, 2015, 2019, 2022
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