The world was robbed of an outstanding artist at the height of her achievement. In this new book about Eardley, Christopher Andreae provides a fresh assessment of her work and its relative Scottishness or universality. He relates her art to the work of contemporaries such as Josef Herman, to inspired teachers such as Hugh Adam Crawford, and considers the impact of Renaissance art, of 20th-century European expressionism and modern American art. The author also looks at her relationships, quotes from letters previously embargoed, and discusses published and unpublished assessments of her work both during her life and posthumously.
Copies of this publication are limited to one per person due to low stock. These are our last available copies, and it has been confirmed that the book will not be reprinted.

There is an enduring fascination for Joan Eardley far beyond her unconventional life and early death at the age of forty-two. Born in 1921 in Sussex, Joan Eardley’s family moved to Scotland in 1939 and a year later she joined the Glasgow School of Art. She found subjects in the shipyards of Clydebank and the slums of Townhead, at first the run-down tenements and buildings and later the children and streetlife around Rottenrow where the character of the people and the place became the vital subject of her work.